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Set in a quarantined city called North Hill, Astro Baby follows the aftermath of a meteorite strike that unleashed a mysterious infection known as Couper. The disease transforms humans into feral cannibals, effectively cutting the area off from the rest of the world.
The protagonist, Billy, returns six years after the initial outbreak, now a soldier haunted by trauma and guilt. His mission is simple — find his childhood love, Eleanor, who is about to give birth amid chaos. But what begins as a rescue turns into a nightmarish spiral when another meteorite falls, spreading the infection again and intertwining the fates of Billy, Eleanor, and her newborn child in grotesque and tragic ways.
Through graphic storytelling and emotional tension, Astro Baby examines the limits of love and survival when humanity itself becomes unrecognizable.

A soldier returning to his hometown after the outbreak, Billy’s stoic personality hides a deep emotional void. His loyalty and love for Eleanor drive much of the story’s conflict as he faces the physical and moral horrors of North Hill.
Billy’s childhood love, Eleanor represents both innocence and loss. Her pregnancy and the ensuing tragedy form the emotional core of Astro Baby.
Born during catastrophe, Abby becomes the symbol of both hope and despair. Her existence ties together the central mystery of the meteorite infection and humanity’s survival.
Known for his distinct art style and cinematic paneling, Moriya excels at combining intimacy with despair. His works — including Soloist in a Cage and Astro Baby — explore captivity, survival, and the dark sides of compassion in broken worlds.
As Astro Baby approaches its finale, readers brace for a conclusion as bleak as it is beautiful.
If Moriya’s history with Soloist in a Cage is any indication, the last chapter will likely offer no easy answers — only a haunting meditation on what it means to survive when there’s nothing left worth saving.